Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.  Related Paintings of Caravaggio :. | Supper at Emmaus (detail) f | David dfg | The Death of the Virgin (mk05) | The Tooth-Drawer gh | Youthful Bacchus |
Related Artists:
Johan Frederik Gerhard
painted Self-portrait in 1754
Abraham Mignon
(Frankfurt, June 21, 1640 - Utrecht, March 27, 1679), was a Dutch golden age painter, specialized in flower bouquets. His father, a Frankfurt merchant, placed him under the care of the still-life painter Jacob Marrel, when he was only seven years old. Marrel specialized in flower painting, and found him to be his best pupil. He accompanied Mignon when he moved to the Netherlands about 1660 to work under Jan Davidszoon de Heem at Utrecht. In 1675 he settled there for good when he married the daughter of the painter Cornelis Willaerts (granddaughter of Adam Willaerts). Marrel's stepdaughter Maria Sibylla Merian (1647-1717), daughter of the engraver Matthew Merian, who lived with Marrel and thus studied with Mignon, achieved distinction as a flower painter
Willem Wissing
Willem Wissing, also known as William Wissing (1656 - 10 September 1687), was a Dutch portrait artist. He was born in either Amsterdam or The Hague, and studied at The Hague under Willem Doudijns (1630 - 97) and Arnoldus van Ravestyn (1615 - 90). In 1676, he moved to England, where he studied with and assisted Peter Lely. After Lely's death in 1680, Wissing emerged as his most important pupil. Godfrey Kneller was the only contemporary portrait artist in England to rival Wissing. Wissinges royal sitters include Charles II of England, Queen Catharine of Braganza, Prince George of Denmark and James Scott, 1st Duke of Monmouth.